Stoelzel or Bluhmel Who invented this valve system?

Although Stoelzels name is generally connected to this valve system, some think it was a joint effort of the two “craftsmen” Stoelzel and Bluhmel , working together as a team in Berlin in the first quarter of the 19th century.

Stoelzel was a Saxon and Bluhmel was a Schlesien. The exclusive patent rights to this valve system was ultimately given to or purchased by Stoelzel and to this day it bears his name. The interesting question is, why did the valve system not gain popularity in the German speaking principalities where it was invented, but accepted to a larger extent in Great Britain and France where it was applied as seen here on a Cornopean.

This instrument bears a British makers mark “an Irish harp” and was imported into the U.S. by John Howard Foote, probably before the Civil War. Interesting about this horn is the original tarred wooden case to make it waterproof, and the pigtail and straight crooks which pitch the instrument to ” Bb, Ab, FA, LA, and SOL”.  There is also a screw in Lyre and a bubble glass painting of the period, of a musician holding this horn. Notice that the “SOL” crook is in the upright position in the painting.

This horn was found in Fond du Lac Wisconsin at an estate sale in early 1970.

Valved Trombones, their faded glory

 

I think the reasons we no longer see them is that they outlived their usefulness They came in many sizes and with different valve systems and at one time were very popular. I have my own theory on this subject and I actually played an Eb tenor valved trombone in the 1970s for a period of about 5 years. I acquired it in Kiel Wisconsin at an antique store. It was a refugee from an estate sale that did’nt sell and was consigned to languish away in an obscure corner of the shop. Mine came with its original coffin case, a lyre and original mouthpiece. There was also a crook to put it in the key of C. All things considered, it played rather well and research indicated that it belonged to a William Voss of Kiel Wisconsin. It has string action rotary valves that appear to have been made in New York or the New England states shortly after the Civil War.

Now, to my theory of why valved trombones are no longer used. I think they were used in lieu of slide trombones when the regimental bands were in vogue. They were much more durable than slide trombones and took the rough handling of a field band. Add to that the number of regimental bands that were mounted on horseback and required the musician to hold reins in one hand and play with the other, and you have the answer! European Bands still have bands mounted on horseback, and I would wager that some of them, especially British bands may occasionally still use a valved trombone rather than a Bb tenor horn.

Is there anybody out there that has another view of the valved trombones exit from todays brass bands?

Is it really what you think it is?

Like most collectors of antique horns, I have been guilty of not doing my homework on identifying exactly what kind of horn, valve type, maker, etc I have. The sources for this kind of identification are there, but often the novice collector does not know where to look Two good starting points are Langwills Index and Heydes works. Other sources are Eliasons works and other collectors in different countries.

I had been making this mistake for years, until just recently, I made the acquaintance of  German collector Udo Koehne. Udo has a very interesting and a good sized collection of brass instruments. In addition, Udo is a professional brass musician (trumpet) in a Bonn Germany orchestra, so when he talks about brass instruments and valve systems, you can learn a lot.

I had been in error for years in identifying one of my horns as having Vienna Valves. Udo informed me that the instrument was in fact known as “Neumainzer” and had what was known as “Klinkerdrucker” and explained that was the reason the Graves/Boston horn on Ebay sold for over $14000.

Udo was kind enough to share this information and even told me where to look to find examples of this type of valve. Just another example of how important it is to the novice collector to contact the right sources and persons for information. Thanks Udo!

Box Valve Cornet

I suppose every collection has a conversation piece which has puzzled the collector and generates a wide variety of comments from those viewing the collection. My conversation piece has been this box valve cornet that I acquired over thirty years ago. Some say it is extremely rare and an important piece. Others say that it is someones idea of a bad joke.

Either way, I still don’t have an answer and would like to solicit comments from those interested just what this is. I know that there are probably less than 10 known box valved instruments in existence.  Mine certainly doesn’t look like the two I saw in the museum in Nuerenberg Germany. I know that Quimbey attempted a box valve horn in the 1870s but have never seen an example of one.

A friend told me of the existence of this horn in the late 1970s and I was fortunate enough to be the successful bidder on it. It is not a complete horn and is missing the lead pipe and bottom plate for the box valve section. The bell section is obviously an E flat Sheppard crook cornet, common in the 1870s. The valve section is like nothing I have ever seen. Can you help me identify it?

German Berliner Pumpen Valve

The Berliner Valve tuba in this article is one I acquired from a friend and is an early example (1840-1850) of a tuba which still had the shape of an ophicleide from which the tuba developed.  It has two valves up and two valves down and looks exactly like one in an advertisement of Herold in Klingenthal ca. 1855 featured in the Journal of the American Musical Society authored by Dr. Herbert Heyde.  It is probably not as early as the Prussian cornet, but every bit as important in the development of the Berliner pumpen valve.

The second quarter of the 19th century was probably the busiest and most important in the development of valve systems and to a lesser degree, the configuration of tubing on horns.  The major developments of the rotary valve, the piston valve, the box valve, the Stolzel and Bluhmel valve, the Vienna valve and Perinet valve all occurred between 1825 and 1850. William Wieprich the director of the Gard du Corps band in Berlin favored the Berliner valve and championed its cause, but within the 80 year period of 1830-1910, the Berliner valve faded and disappeared.

Robert played a Berliner valve horn while in the 1st Brigade Band and favored it over the American string action rotary which was the most popular valve system during the Civil War.  He has collected a variety of “Berliner Pumpen” valved horns representing the period between 1830 and 1870 and am still convinced it is superior to the Pernet valve which is popular today.

Vienna Valve Graves Cornet - Big Money on eBay

Recently, a Graves Vienna valved cornet in “as is” condition sells for over $14,000.00!  Link

Prussian Cornet, Berliner Pumpen Valved

This instrument was acquired in a trade with an acquaintance for a baritone horn. It was found at an estate sale in Sheboygan Wisconsin in the mid 1970s.I am told by Dr. Herbert Hyde that it is a Prussian Cornet and that it dates to the mid 1840s. When I acquired it I sent it to Bob Pallansch in Fall River Virginia for repairs. Enough to make it presentable for display. It has been on display ever since that time and I would not consider using it for performance as it is very airy.  Valves are the squat, early Berliner “Pumpen” which were made popular by Willhelm Wieprich, director of the Gard du Corps band in Berlin in the mid 1800s.  The bell is 3 inches in diameter. I am told that the heart shaped decoration on the bell might indicate that it was used in a cavalry band.  Like most collections, mine tells a story. That story is the development of valve systems on brass instruments after keyed brasses became obsolete. The Berliner Pumpen valve seems to have faded in popularity after the 1890s

 

A detailed description of the horn is:  a soprano horn in Bb, bell front with side mounted Berliner pumpen piston valves. Mouthpipe is fixed and includes a period mouthpiece. The body of the horn is brass with brass bracing and brass brace plates. Ferrules are brass and the bell garland is German silver. Top valve caps are brass and the bottom of the valves are also brass. Piston buttons are German Silver. A decorative German Silver heart appears on the bell (cavalry band symbol?) German silver accents also are used on the bell bow guard, main bow ferrule and the 1st and 2nd valve pull plates. Length of the horn is16 inches, bell diameter is 3 inches, width is 5 1/2 inches and the bell garland width is 3/4 inch. There is a punched floral pattern in the bell garland. There is a fitted mahogany carrying case included with this horn.