Stoelzel or Bluhmel Who invented this valve system?

Although Stoelzels name is generally connected to this valve system, some think it was a joint effort of the two “craftsmen” Stoelzel and Bluhmel , working together as a team in Berlin in the first quarter of the 19th century.

Stoelzel was a Saxon and Bluhmel was a Schlesien. The exclusive patent rights to this valve system was ultimately given to or purchased by Stoelzel and to this day it bears his name. The interesting question is, why did the valve system not gain popularity in the German speaking principalities where it was invented, but accepted to a larger extent in Great Britain and France where it was applied as seen here on a Cornopean.

This instrument bears a British makers mark “an Irish harp” and was imported into the U.S. by John Howard Foote, probably before the Civil War. Interesting about this horn is the original tarred wooden case to make it waterproof, and the pigtail and straight crooks which pitch the instrument to ” Bb, Ab, FA, LA, and SOL”.  There is also a screw in Lyre and a bubble glass painting of the period, of a musician holding this horn. Notice that the “SOL” crook is in the upright position in the painting.

This horn was found in Fond du Lac Wisconsin at an estate sale in early 1970.

Abraham Lincoln and the Brodhead Brass Band

2009 will be a very special time in American history. It will be the bicentennial year of the birth of Abraham Lincoln. We know that Lincoln loved music, that he was a terrible dancer, and that he was fond of the ladies. We can picture the ungainly Lincoln on the dance floor, all arms and legs attempting a polka or waltz and the very tall Lincoln and the very short Mary Todd together on the dance floor.

Of all of the bands that Lincoln must have heard, only the 1st Brigade Band remains active today.  It existed before the Civil War as the Brodhead Brass Band and during Lincoln’s debates with Douglas, the small brass band from Brodhead, Wisconsin, traveled south across the Illinois border to play at the debates. The Brodhead band became the 3rd Wisconsin Infantry Band and then the 1st Brigade Band. Undoubtedly, Lincoln heard it play several times. We know that he heard it as the Brodhead Band at the debates with Douglas.

It may astound some people that the present day band actually has at least two horns that Lincoln heard play. One is an E flat alto that was used at the debates. The other is an OTS baritone used by the 1st Brigade Band during several troop reviews that Lincoln attended.

During the upcoming bicentennial celebration year of Lincoln’s birth, the band will undoubtedly be busy with concerts, balls, and historic presentations. Make plans now to engage the band for your Lincoln celebration in 2009. They have programs for all sorts of occasions. See their promotional film clip on this website and contact Dave Woolpert or Ed Pierce for more information.

Civil War Composers, who was the best? Who is your favorite?

This is a subject I always wanted to comment, so here goes.

My candidate for the best composer of music for Civil War bands is Claudio S Grafulla. For those out there who hav’nt heard his name, he composed “Washington Grays” I always theorized that his lady love was stolen away by an Eb cornet player and he found this way of retaliating. The music for an Eb cornet player on the march in Washington Grays is brutal. Add to that that the typical Civil Was band had only 1 or perhaps 2  Eb cornets and you can appreciate that when playing Washington Grays on the march, the Eb cornet player was a very busy guy!

I can remember as a H.S. bandsman in the 50s, when in a band competition, the judges always trotted out Washington Grays as a “sight reading” test, and it always evoked groans of pain from the cornet section.

Some non musician types think John Phillip Sousa composed during the Civil War. NOT TRUE! John Phillip was a lad of 4yrs at the time and can be seen on pictures of the U.S. Marine Band at the side of his father, who played Trombone.  John Phillip continued in the path started by Claudio S Grafulla.

Any other examples out there of Civil War Band composers?

Valved Trombones, their faded glory

 

I think the reasons we no longer see them is that they outlived their usefulness They came in many sizes and with different valve systems and at one time were very popular. I have my own theory on this subject and I actually played an Eb tenor valved trombone in the 1970s for a period of about 5 years. I acquired it in Kiel Wisconsin at an antique store. It was a refugee from an estate sale that did’nt sell and was consigned to languish away in an obscure corner of the shop. Mine came with its original coffin case, a lyre and original mouthpiece. There was also a crook to put it in the key of C. All things considered, it played rather well and research indicated that it belonged to a William Voss of Kiel Wisconsin. It has string action rotary valves that appear to have been made in New York or the New England states shortly after the Civil War.

Now, to my theory of why valved trombones are no longer used. I think they were used in lieu of slide trombones when the regimental bands were in vogue. They were much more durable than slide trombones and took the rough handling of a field band. Add to that the number of regimental bands that were mounted on horseback and required the musician to hold reins in one hand and play with the other, and you have the answer! European Bands still have bands mounted on horseback, and I would wager that some of them, especially British bands may occasionally still use a valved trombone rather than a Bb tenor horn.

Is there anybody out there that has another view of the valved trombones exit from todays brass bands?

Box Valve Cornet

I suppose every collection has a conversation piece which has puzzled the collector and generates a wide variety of comments from those viewing the collection. My conversation piece has been this box valve cornet that I acquired over thirty years ago. Some say it is extremely rare and an important piece. Others say that it is someones idea of a bad joke.

Either way, I still don’t have an answer and would like to solicit comments from those interested just what this is. I know that there are probably less than 10 known box valved instruments in existence.  Mine certainly doesn’t look like the two I saw in the museum in Nuerenberg Germany. I know that Quimbey attempted a box valve horn in the 1870s but have never seen an example of one.

A friend told me of the existence of this horn in the late 1970s and I was fortunate enough to be the successful bidder on it. It is not a complete horn and is missing the lead pipe and bottom plate for the box valve section. The bell section is obviously an E flat Sheppard crook cornet, common in the 1870s. The valve section is like nothing I have ever seen. Can you help me identify it?

Battle of the Bands July 2006

Two bands of Civil War vintage instruments play in competition across the Canon River then join forces for “Home Sweet Home.” First Brigade Band from Wisconsin and 26th North Carolina Regimental Band based in Baltimore both played during the Vintage Band Festival held in Northfield, Minnesota during July 2006. Dr. Paul Niemisto of St. Olaf College was the organizer.

1st Brigade Band @ Vintage Band Festival

Found this little video on the net.  It’s a clip of the First Brigade Band playing “Marching Through Georgia” during the Vintage Band Festival held in July 2006 at Northfield Minnesota.